This research study explores the history of Taarab, a musical form which is the amalgamation of many instruments and cultures playing a central element in Zanzibar. Despite initially being an exclusive art form belonging to the elite, Taarab has become an essential part of every aspect of the Zanzibari society. This paper examines the importance of Taarab’s inclusivity and changes over time, bringing about the revolutions of class, gender and nationality.